in , ,

Breaking down the ‘Game of Thrones’ Season 8 opening credits

Game of Thrones Season 8 begins with a bang. After seven seasons of superbly styled generics that summed up the game in the plot of the show, the first episode of season 8 "Winterfell" replaced the golden color palette and the world's favorite places for a new opening marking the beginning of the new winter world season.

Game of Thrones 's ancient credits were known to have swept the maps of Westeros and Essos, highlighting the locations that would appear in the next episode. Although the new generics also do, they are more focused on the fact that the world of Thrones has changed since season 1 and has brought the public into the last conflict zones of the series.

However, before even showing the map, the credits opens up on a new version of the astrolabe that has served as a symbol to Thrones since its inception. The old astrolabe had engravings that told the story of Robert's rebellion – the Dragons burning objects; deer, lions and wolves rising against them; and the deer become king as a result. In the first, these symbols have changed.

The first engraving shows the king's assault night on the wall. The dragon looks skeletal to that of the undead death and the undead army waits below for the dragon to finish burning a path through the ice. Behind the wights and the White Walkers hides the winter wind swirling in expectation to bring a deadly thrill to the realm of men.

Edit this part of the credits reorient Game of Thrones to fully represent the "new story" of Westeros, as the heroes and villains of Robert's Rebellion are almost all dead history of the continent entirely different in these darker days. The rest of the astrolabe says more about the story, but it only appears later in the credits.

It is possible that the overturned blue tiles continue to represent the king's movements at night as the season progresses.

After the first engraving, the new credits start farther north on the map than ever before and zoom in. this giant hole created by the living dead Viserion and the king of the night. The floor of the map, mostly gray and winter white, has tiles that turn and reveal a bright blue path heading south. The blue path represents the progression of the White Walkers who walk south of the wall and end at a castle that was mentioned but never seen before in Game of Thrones .

Last Hearth is the castle of the Umbers, the family of the North who took the side of the Bolton during the Battle of the Bastards and whose lands and titles were restored by Jon Snow, much to the disappointment of Sansa. Ned Umber, the lord of Last Hearth's son, went home to hold the castle and, as we will see later in this episode, was slaughtered and abandoned to be revived.

Just a hello from the king of the night, in case anyone would forget what this bastard with a sharp head was capable of.

Whereas one of the distinguishing features of the ancient Thrones credits was their ever-changing nature, it is possible that the overturned blue tiles continue to represent the movements of the king-night during the season. They drove up to Last Hearth before the show revealed what happened there. It is therefore worth keeping an eye on the blue trail for clues throughout the season.

After Last Hearth, the blue tiles stop at what appears to be a river south of the castle. The White Walkers have always had difficulties with the water, so the army of the undead can be hindered by the geography of Last Hearth. Perhaps subsequent episodes will show them how to overcome this problem, but the new season's time constraints may not allow for a thorough look at Night King's fording strategy.

The next part of the credits goes to Winterfell, which is viewed from a new angle and also bears its white weirwood emblem, whose leafy flowering is far more complete than before. This could be a reference to the fact that Bran is currently in residence at Winterfell and that his presence as a three-eyed crow has restored its luster to the barrage. It is perhaps even the main Weirwood now, since the old central tree of the old three-eyed raven above the wall was probably destroyed during the attack of the cave of the season 6

This is where it gets great. Game of Thrones credits never entered the buildings listed on its map, but after sweeping the kingdom of godswood, new credits took a surprising turn in the world. Inside Winterfell Castle, showing its impressive ramparts hall and mysterious crypts. Important scenes from the first episode have taken place in all these places, but it remains to be seen if these interior locations will be modified in the following sequences of credits.

At this point, the second new sculpture of the astrolabe appears, explaining this one. the modern history of the Starks.

Left, Lannister lion with Tully fish in mouth, referring to Codyn Stark's vicarious murder of Lannister at red marriage and seizure of ancestral home of Riverland family. In the middle is a wolf riddled with arrows, evoking Robb Stark dying multiple wounds by an arrow at the red wedding. The image on the right represents a skinned man, the seal of House Bolton, holding in his hand a cut wolf's head, which refers to the murder of Rickon Stark by Ramsay Bolton (and to the earlier beheading of Shaggydog, the wolf – Ricko's babe).

King's Landing and Red Dungeon are also featured on the map. They also look different from previous seasons. The Great Seven of Baelor is still represented on the map of the city, but its edifice does not stand up and seems to be a bit green, which is logical considering the way this month of September s & rsquo; is completed in the last episode of season 6.

The red dungeon has been updated to show the improvements Cersei made in his time as queen. He takes a moment to take a look at the map that she had painted on the floor of the central courtyard of the castle. It's hard to miss its bright blue color in the sea of ​​sieved red, and is a wink of fun for the transformation of its reign on the capital.

As in Winterfell, the credits also allow you to zoom in further on the Red Dungeon, by first taking a spiral staircase of what could be the turn of the hand and ending up in the spiral staircase. dungeons to the dragon bones of the castle. The camera moves quickly on the triggerfish as Bronn used to shoot Drogon during the Season 7 goal-line battle, and shows that the triggerfish is aimed directly at a giant dragon skull.

In season 7, Cersei watched the same machine pierce a hole in a dragon's skull to demonstrate its terrifying power. That's perhaps the way generics tell us that she still has this locked and loaded anti-dragon weapon. in case of attack at the landing of the king.

The last room of the King's Landing Tour is the Throne Room, which adds the Iron Throne as the card's play piece and showcases the iron-wrought Lannister lion at the window to- above the throne. Just in case someone would forget who is in charge these days. Hear his roar.

Next, the last sculpture on the astrolabe. This one is more difficult to interpret.

There appear to be four dragons, a group of horses or cows, and a shooting star. This could represent Daenerys (the biggest dragon) and his three "children" who stand up as Dothraki leaders, represented by the horses that seem to bow to the dragon Dany. The shooting star is perhaps the red comet of season 2, interpreted by some characters as a sign of the return of fire magic based on the dragons in the world.

The print could also show the Astapor fire, the moment when Daenerys first exercised his powers on Mother of Dragons and won his army of Unsullied, or symbolizes a way or another battle over the wall. If it shows the battle above the wall, the falling element may be the dying Viserion, and the four presented dragons are supposed to be Drogon, Rhaegal, Daenerys and Jon – the fourth unexpected dragon of this battle .

Game of Thrones does not want to destabilize his audience from the start and the new certainty of credits gives a worrying tone to the rest of the series. If credits continue to change to show the evolutionary nature of the last chapter, there is much to gain by keeping an eye on how they evolve as the story ends.

Just a little something to think about as the theme song continues to slap.

<img alt = "Uploads 252footers function (f, b, e, v, n, t, s) {if (f.fbq) returns; n = f.fbq = function () {n.callMethod?
n.callMethod.apply (n, arguments): n.queue.push (arguments)}; if (! f._fbq) f._fbq = n;
n.push = n; n.loaded =! 0; n.version = 2.0 & # 39 ;; n.queue = []; t = b.createElement (e); t.async =! 0;
t.src = v; s = b.getElementsByTagName (e) [0]; s.parentNode.insertBefore (t, s)} (window,
document, "script", https: //connect.facebook.net/en_US/fbevents.js&#39;);
fbq (& # 39 ;, & # 39; 1453039084979896 & # 39;);
if (window._geo == & # 39; GB & # 39;) {
fbq (& # 39 ;, & # 39; 322220058389212 & # 39;);
}

if (window.mashKit) {
mashKit.gdpr.trackerFactory (function () {
fbq (& # 39; track & # 39 ;, "PageView");
}).return();
}

Source link

Leave a Reply

Your email address will not be published. Required fields are marked *

World’s largest plane by wingspan lifts off into the history books

The majority of the EU just accepted controversial new online copyright laws